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dc.contributor.authorEgan, Mary Antonine, Sister, C.S.J.
dc.date.accessioned2012-04-24T21:53:07Z
dc.date.available2012-04-24T21:53:07Z
dc.date.issued1963
dc.identifier.otherb1456417
dc.identifier.urihttp://hdl.handle.net/2144/3726
dc.description.abstractThe works of painters of the Italian Renaissance have been considered here with regard to the art centers from which they came; and the influence of one artist upon the formation of another has been acknowledged. Abundance of material, the ever-widening scope of interest, and the profuse originality in execution precludes any last....word conclusions. From the observations made, however. the study presented here does assume, with some assurance, that the great impetus for change in halo art, as in all art, came from Florence. It is also re-cognized that from that center it spread throughout the central and northern areas.en_US
dc.language.isoen_USen_US
dc.publisherBoston Universityen_US
dc.rightsBased on investigation of the BU Libraries' staff, this work is free of known copyright restrictions.en_US
dc.titleHalo painting of the Italian renaissanceen_US
dc.typeThesis/Dissertationen_US
etd.degree.nameMaster of Artsen_US
etd.degree.levelmasters
etd.degree.grantorBoston Universityen_US


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